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I’m not so sure this video is entirely of All Hallow’s Eve stock, but it certainly does have all the necessary creepy elements going for it, including the patented Wildboyz spooky voice. But seeing such hellish landscapes such as these certainly makes it understandable why Peter Jackson chose to shoot The Lord of the Rings trilogy in New Zealand. It’s not like he really had to go out of his way to digitally create the wasteland of Mordor, which I’m sure was pretty cool for him considering every other last goddamn thing in the movies had to be artificially rendered, enhanced, or, in some Hobbit-like instances, reduced. Anyway, at least he did a bang-up job of it. The Balrog still trumps any goofy-ass, paint-by-pixel beast since it first went “flame on” in 2001*. Even if it did go out like a little bitch.

* Robots excluded. For however crummy and thin the “screenplays” may be written, the Transformers themselves are pretty hot shit (although dizzyingly so at times).

(photo by Dimitry Elyashkevich; Rotorua, New Zealand; 2003)

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